{"id":657,"date":"2024-10-12T09:30:30","date_gmt":"2024-10-12T09:30:30","guid":{"rendered":"https:\/\/bdouin.com\/mag\/?p=657"},"modified":"2024-10-12T09:30:30","modified_gmt":"2024-10-12T09:30:30","slug":"colorier-ou-coloriser","status":"publish","type":"post","link":"https:\/\/bdouin.com\/mag\/colorier-ou-coloriser\/","title":{"rendered":"Colorier ou coloriser ?"},"content":{"rendered":"\n

Dans cette s\u00e9rie d\u2019articles in\u00e9dits, Nor\u00e9dine Allam, directeur des \u00c9ditions du BDouin<\/a>, nous livre les coulisses et le quotidien du studio, de son origine jusqu\u2019\u00e0 aujourd\u2019hui.<\/em><\/p>\n\n\n\n

Episode 01 : Le studio BDouin, un arbre qui s\u2019accro\u00eet\u2026<\/a>
Episode 02 : Colorier ou coloriser ?<\/p>\n\n\n\n

* * *<\/p>\n\n\n\n

Naissance du STUDIO 2HB<\/strong><\/h2>\n\n\n\n

En 2001, au lancement de mon premier studio de bande dessin\u00e9e, j\u2019identifie un vide dans le panorama artistique de la bande dessin\u00e9e europ\u00e9enne : l\u2019absence de mise en couleur assist\u00e9e par ordinateur. Rapidement, je m\u2019investis donc dans l\u2019auto-formation, n\u2019ayant comme seuls outils pour m\u2019accompagner un manuel Adobe Photoshop 3.0 et une collection de comics am\u00e9ricains.<\/p>\n\n\n\n

Quelques mois plus tard, le site internet du STUDIO 2HB prend vie. Se pr\u00e9sentant comme l\u2019unique en son genre en Europe, il offre aux \u00e9diteurs la possibilit\u00e9 de coloriser (et non simplement colorier) des bandes dessin\u00e9es \u00e0 l\u2019ordinateur. \u00c0 l\u2019\u00e9poque, notre valeur ajout\u00e9e r\u00e9side clairement dans la rapidit\u00e9 d\u2019ex\u00e9cution et la garantie d\u2019une livraison ponctuelle (deux \u00e9l\u00e9ments souvent absents chez les artistes).<\/p>\n\n\n\n

Ma\u00eetre-mot<\/strong><\/h2>\n\n\n\n

Malgr\u00e9 l\u2019apparence d\u2019un studio, j\u2019ai d\u00fb accomplir seul toutes les commandes, les premi\u00e8res ann\u00e9es. Face \u00e0 cela, il a fallu rapidement mettre en place un syst\u00e8me pour augmenter ma \u00ab productivit\u00e9 \u00bb ; c\u2019est \u00e0 cette \u00e9poque que ce mot fait son entr\u00e9e dans mon vocabulaire artistique pour ne plus jamais en sortir.<\/p>\n\n\n\n

Je n\u2019ai pas h\u00e9sit\u00e9 \u00e0 chercher tous les moyens possibles pour acc\u00e9l\u00e9rer le processus de mise en couleur, comme le ferait une usine, assist\u00e9 pour l\u2019occasion par mon fr\u00e8re Karim.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Vers l\u2019automatisation<\/strong><\/h2>\n\n\n\n

Apr\u00e8s tout, 90% de la colorisation consiste \u00e0 pr\u00e9parer le dessin pour accueillir les 10% artistiques finaux. Pourquoi ne pas automatiser cette t\u00e2che \u00ab r\u00e9p\u00e9titive \u00bb, voire la d\u00e9l\u00e9guer \u00e0 des assistants ?<\/p>\n\n\n\n

C\u2019est ainsi qu\u2019en 2006, apr\u00e8s que le studio 2HB a \u00e9t\u00e9 choisi pour la remise en couleur compl\u00e8te des albums d\u2019Ast\u00e9rix et Ob\u00e9lix (refondation), je d\u00e9cide de constituer une \u00e9quipe pour prendre en charge ces fameux 90%\u2026<\/p>\n\n\n\n

Depuis cette p\u00e9riode, j\u2019ai adopt\u00e9 ce syst\u00e8me pour chaque projet.
Aujourd\u2019hui, encore, la mise en couleur d\u2019un ouvrage du BDouin suit ce d\u00e9coupage :<\/p>\n\n\n\n

Coloriste 01 :<\/strong> Aplats de couleurs d\u2019apr\u00e8s des anciens dessins (appel\u00e9s en interne Basic Colors), ici r\u00e9alis\u00e9 par Kepa Lyco.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Coloriste 02 :<\/strong> Correction des teintes et ajout des effets (Up Colors), r\u00e9alis\u00e9 par Iwan Joko.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Coloriste 03 :<\/strong> Correction des teintes, ajout des effets de mouvement et des bulles (Final Colors).<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

(dessin extrait du tome 1 de la BD Walad & Binti)<\/em><\/a><\/p>\n\n\n\n

Je reste responsable de la troisi\u00e8me \u00e9tape pour chaque ouvrage. Toutefois, \u00e0 mesure que l\u2019\u00e9quipe s\u2019am\u00e9liore, ma charge de travail diminue. Une \u00e9volution bienvenue, \u00e9tant donn\u00e9 que les story-boards me demandent de plus en plus de temps\u2026<\/p>\n\n\n\n

R\u00e9flexion compl\u00e9mentaire<\/strong><\/h2>\n\n\n\n

Est-ce que la colorisation peut aujourd’hui \u00eatre enti\u00e8rement r\u00e9alis\u00e9e \u00e0 l\u2019aide d\u2019un outil d\u2019intelligence artificielle, tel que Dall-e ou Mid Journey ? Aujourd\u2019hui, apr\u00e8s plusieurs essais, je peux r\u00e9pondre que NON. Mais au vu de l\u2019\u00e9volution rapide de ces outils, je pense en effet que cela sera le cas dans les ann\u00e9es \u00e0 venir, \u00e0 la fois pour les 90% et les 10% restants\u2026 <\/p>\n\n\n\n

Est-ce que cela me cause un probl\u00e8me ? Non. Car, \u00e0 mes yeux, la couleur est un OUTIL et non une finalit\u00e9 en soi.<\/p>\n\n\n\n

N.A.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans cette s\u00e9rie d\u2019articles in\u00e9dits, Nor\u00e9dine Allam, directeur des \u00c9ditions du BDouin, nous livre les coulisses et le quotidien du studio, de son origine jusqu\u2019\u00e0 aujourd\u2019hui. Episode 01 : Le studio BDouin, un arbre qui s\u2019accro\u00eet\u2026Episode 02 : Colorier ou coloriser ? * * * Naissance du STUDIO 2HB En 2001, au lancement de mon […]<\/p>\n","protected":false},"author":2,"featured_media":658,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":{"0":"post-657","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualites-editions-bdouin"},"yoast_head":"\nColorier ou coloriser ? 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