{"id":3442,"date":"2026-10-03T10:03:44","date_gmt":"2026-10-03T10:03:44","guid":{"rendered":"https:\/\/bdouin.com\/mag\/?p=3442"},"modified":"2026-10-03T11:19:19","modified_gmt":"2026-10-03T11:19:19","slug":"agus-lead-artist-du-studio-bdouin","status":"publish","type":"post","link":"https:\/\/bdouin.com\/mag\/agus-lead-artist-du-studio-bdouin\/","title":{"rendered":"Agus Suherman, Lead Artist du studio BDouin"},"content":{"rendered":"\n

On nous demande souvent qui dessine nos livres. Premier portrait de la s\u00e9rie \u00ab Au studio \u00bb : Agus Suherman, Lead Artist du studio BDouin, qui dirige l’\u00e9quipe de dessin de Foulane Adventures depuis Bandung, en Indon\u00e9sie. Nous lui avons pos\u00e9 nos questions par \u00e9crit, un soir de septembre, apr\u00e8s sa journ\u00e9e de travail. Il a r\u00e9pondu le lendemain, en anglais, avec des photos de son bureau et de son \u00e9quipe.<\/em><\/p>\n\n\n

Bandung, 10 heures du matin<\/h2>\n\n\n

Le studio est \u00e0 Bandung, dans l’ouest de l’\u00eele de Java, \u00e0 deux heures de route de Jakarta. C’est l\u00e0 qu’Agus a grandi, et c’est l\u00e0 qu’il travaille aujourd’hui, Lead Artist \u00e0 la t\u00eate d’une \u00e9quipe de dessin d’une dizaine de personnes. Sur les murs, des planches imprim\u00e9es, relues au feutre. Sur les \u00e9crans, les pages en cours.<\/p>\n\n\n

O\u00f9 as-tu grandi, et quand as-tu commenc\u00e9 \u00e0 dessiner ?<\/p>

\u00c0 Bandung, dans l’ouest de Java. Et j’ai commenc\u00e9 \u00e0 dessiner \u00e0 la maternelle. Je n’ai jamais vraiment arr\u00eat\u00e9 depuis.<\/p><\/div><\/div>\n\n\n

Quel est le premier comics, ou le premier dessin anim\u00e9, qui t’a donn\u00e9 envie de dessiner ?<\/p>

Les comics am\u00e9ricains d’abord, ceux de DC. Puis la bande dessin\u00e9e europ\u00e9enne, chez diff\u00e9rents \u00e9diteurs. C’est elle qui m’a appris \u00e0 raconter une histoire en cases.<\/p><\/div><\/div>\n\n\n

\u00c0 quoi ressemble une journ\u00e9e de travail normale ?<\/p>

Je travaille de 10 heures \u00e0 17 heures. Mais quand je suis bien lanc\u00e9, ou qu’on a un objectif \u00e0 tenir, je continue, jusqu’\u00e0 minuit au plus tard. Pour moi, ce n’est pas une corv\u00e9e : dessiner fait partie du plaisir<\/strong>.<\/p><\/div><\/div>\n\n\n

\"Bandung\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
Bandung, sur l’\u00eele de Java.<\/figcaption><\/figure>\n\n\n

Chez BDouin<\/h2>\n\n\n

Agus a rejoint le studio sur Walad & Binti<\/strong>, dont il a dessin\u00e9 plusieurs \u00e9pisodes. Il travaille sur Foulane Adventures depuis le 11 novembre 2024<\/strong>, date du premier jour de production du tome 1. Il conna\u00eet donc la s\u00e9rie depuis sa premi\u00e8re case.<\/p>\n\n\n

Qu’est-ce que tu aimes le plus dans ce travail ?<\/p>

La vari\u00e9t\u00e9 des ambiances. Avec Walad & Binti, on fait le tour du monde, d’un \u00e9cosyst\u00e8me \u00e0 l’autre. Il y a beaucoup d’angles de cam\u00e9ra diff\u00e9rents \u00e0 inventer. Et puis ce sont des histoires qui parlent de la r\u00e9alit\u00e9 sociale de mon pays. \u00c7a compte.<\/p><\/div><\/div>\n\n\n

\"Un\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
Un dessin \u00e0 la main d’Agus. Au studio, les pages se font sur tablette ; le crayon reste pour le plaisir.<\/figcaption><\/figure>\n\n\n

Y a-t-il dans tes pages un d\u00e9tail indon\u00e9sien que le lecteur ne remarque pas forc\u00e9ment ?<\/p>

S\u00fbrement. Tout commence par la recherche : avant de dessiner un lieu, une plante, un bateau, une maison, on se documente. Ce qui est juste finit dans la case, m\u00eame si personne ne le voit.<\/p><\/div><\/div>\n\n\n

Lead Artist<\/h2>\n\n\n

Au studio, Agus est Lead Artist<\/strong> : c’est lui qui dessine les pages de Foulane Adventures, et lui qui conduit l’\u00e9quipe de dessin qui les m\u00e8ne de l’encrage \u00e0 la couleur. Une page passe ainsi par plusieurs mains.<\/p>\n\n\n

\"L'\u00e9quipe\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
L’\u00e9quipe du studio, \u00e0 Bandung.<\/figcaption><\/figure>\n\n\n
\n

Sur le tome 2 : Nor\u00e9dine Allam<\/strong> au sc\u00e9nario, Agus Suherman<\/strong>, Lead Artist, au dessin, Hendranto Pratama Putra<\/strong> \u00e0 l’encrage, Muhammad Iqbal Fauzy, Aditya Pranata et Iwan Joko Triyono<\/strong> \u00e0 la couleur. Compter deux \u00e0 trois jours par page, du crayonn\u00e9 \u00e0 la couleur finale.<\/p>\n<\/div>\n\n\n

Comment une page na\u00eet, de la vignette \u00e0 la couleur, et pourquoi le tome 2 se passe l\u00e0 o\u00f9 il a \u00e9t\u00e9 dessin\u00e9 : c’est notre premier article, \u00ab Comment on a dessin\u00e9 les deux tomes \u00bb<\/a>.<\/p>\n\n\n

\"Le\n\t\t\t\n\t\t\t\t\n\t\t\t<\/svg>\n\t\t<\/button>
Et quand l’inspiration dure, le bureau de la maison.<\/figcaption><\/figure>\n\n\n

Son message<\/h2>\n\n\n

Pour les lecteurs francophones qui vont d\u00e9couvrir son travail, Agus a \u00e9crit une phrase, en fran\u00e7ais :<\/p>\n\n\n

\u00ab Suivons l’aventure au c\u0153ur de l’histoire. \u00bb<\/p><\/div>\n\n\n

\"Signature<\/p>\n\n\n

Propos recueillis par \u00e9crit le 30 septembre 2026, traduits de l’anglais et mis en forme par la r\u00e9daction du BDouin.<\/em><\/p>\n\n\n

D\u00c9COUVRIR LE TOME 2<\/a><\/p>\n\n\n

<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Premier portrait de la s\u00e9rie \u00ab Au studio \u00bb : Agus, qui a dessin\u00e9 le tome 2 de Foulane Adventures depuis Bandung, en Indon\u00e9sie.<\/p>\n","protected":false},"author":1,"featured_media":3471,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":["post-3442","post","type-post","status-publish","format-standard","has-post-thumbnail","category-actualites-editions-bdouin"],"yoast_head":"\nAgus Suherman, Lead Artist du studio BDouin BDouin Mag<\/title>\n<meta name=\"description\" content=\"Portrait et entretien d'Agus Suherman, Lead Artist du studio BDouin \u00e0 Bandung, qui dessine Foulane Adventures. 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